I would have thought that I was finished with this subject for a while yesterday, but while cleaning up some files, I came across yet another artifact of the making of X-MEN #137 that I felt needed to be shared. At first, I considered simply going back and adding it into the original piece--but I … Continue reading A Tiny Bit More on the original ending to X-MEN #137
The Death of Phoenix sequence in X-MEN is a milestone moment in the history of comics, one that changed the very trajectory of the entire industry. We spoke about it at length in a post under the Perfect Game heading: https://tombrevoort.com/2020/06/13/perfect-game-x-men-137/ But just to quickly recap: creators Chris Claremont and John Byrne were heading towards … Continue reading The original ending to X-MEN #137 & 138 and the pencils of John Byrne
As the 1960s wound down, the super hero fad that had driven much of the decade was beginning to cool. It's maybe hard to realize today, when many of these characters have been in continuous publication for 60-80 years, but at the time, super heroes were seen as just another cyclical fad. And now that … Continue reading MY LOVE #3 and the Penciling of John Buscema
An awful lot of the production work materials from the comic books created in the formative years of the industry are long gone, discarded as unimportant "work product" on the way to producing finished comic book issues, which were the goal point all along. Fortunately, a lot of the original artwork has survived (though far … Continue reading Lee & Kirby: The Pencils of FANTASTIC FOUR #49
Creator Bill Morrison posted a set of images from the 3M color separation proofs for the cover to this 1951 issue of MILLIE THE MODEL, and so I thought they were worth showing off here. It's relatively rare that proofs of this sort from that era turn up, and the relative simplicity of cover artist … Continue reading More Fun With Color Separations
This past week I was called upon to do some work on the upcoming AUGUST 1961 Omnibus that Marvel is going to be releasing as part of the 60th Anniversary of the publication of FANTASTIC FOUR #1. The massive book will collect all of the other Marvel titles that were also on sale on or … Continue reading Lee & Kirby: The Cover to FANTASTIC FOUR #1
I ran across this Swedish printing of FANTASTIC FOUR #76 in my travels, and thought I'd share it. As happened on a not-infrequent basis, the local publisher, either by accident or because they were unfamiliar with what the colors of the characters were supposed to be, inadvertently switched the film for the yellow and cyan … Continue reading Even More on Color Separations
I've had to clean out my office recently, and in doing so I've unearthed a small treasure trove of interesting items that have been buried for several years. So with the holidays before us, I expect that I'll be posting a bunch of stuff before through the end of the year. Consider it a bonus … Continue reading Making The Kid Who Collects Spider-Man
As a brief follow-up to the earlier post concerning the 3M cover proof, I've got a pair of examples to show here that may make understanding how the three primary colors were mixed to make the 64 available colors for printing back in the 1960s and 1970s. Here, I've got two examples where, for a … Continue reading More On Color Separations – AVENGERS #10 and FANTASTIC FOUR #110
I saw this posted by its current owner and I thought it was worth both sharing with a wider audience and explaining in a bit greater detail. What you see below is the 3M proof for the cover to FANTASTIC FOUR ANNUAL #5. Also sometimes called a progressive proof, this would have been sent to … Continue reading 3M Cover Proof – FANTASTIC FOUR ANNUAL #5
