Every year, the Smith Haven Mall near to where I lived held a week-long crafts fair. For seven days, assorted artists and craftspeople would set up little booths throughout the Mall and hock their wares. And every year, there wound up being two or three guys selling back issue comic books out of cardboard boxes. … Continue reading BHOC: MARVEL COLLECTORS’ ITEM CLASSICS #1
As I spoke about last week, the early Marvel Comics was relatively consistent with the manner in which it dealt with death. As a general rule, when a character was genuinely killed (as opposed to suffering a "super villain death" at the climax of a story where they fell into the river or some such) … Continue reading The First Marvel Resurrection
I knew what would be coming up ahead of time in each issue of MARVEL'S GREATEST COMICS, as I owned the George Olshevsky FANTASTIC FOUR INDEX https://tombrevoort.com/2019/11/24/bhoc-official-marvel-index-4/ So I knew that we were honing in on FANTASTIC FOUR #100, an issue that I was interested in entirely due to its centennial nature. Even then, the … Continue reading BHOC: MARVEL’S GREATEST COMICS #80
This issue of CAPTAIN AMERICA turned up at the 7-11 the next time I visited there. The series had been somewhat shaky for months, ever since the departure of Jack Kirby. it was plagued with back-ups and fill-ins, and so its running storyline concerning Steve Rogers attempting to learn more about his past prior to … Continue reading BHOC: CAPTAIN AMERICA #227
If there's one thing that's become apparent over the past 80 years of comic book publishing, it's that death sells. The demise of a beloved character can create great interest in a series, as well as potentially delivering an emotional impact that the audience will remember. The whole job of storytelling is to evoke a … Continue reading The First Marvel Fatality
Here is another example of the phenomenon that we looked at last time: a perfectly fine cover image by Jack Kirby that has been deliberately colored in such a way as to render it unattractive and unappealing. As I said last time, going to this sort of monochromatic color scheme was a last ditch move … Continue reading (Not So) Great Covers: FANTASTIC FOUR #81 (and MARVEL’S GREATEST COMICS #63)
AMAZING SPIDER-MAN #186 represented something of a turning point for the character, as new writer Marv Wolfman began charting out the direction he wanted to take the wall-crawler's life in next. Last issue saw Peter Parker graduate from college, which seemed monumental for a series so associated with that environment, and now he was ready … Continue reading BHOC: AMAZING SPIDER-MAN #186
You'd see this happen from time to time in the mid- to late-1960s on the Marvel books. There's be a cover like this one that somebody--either editor Stan Lee or publisher Martin Goodman--didn't like, feeling that it was too cluttered and difficult to read from a distance, and it would get colored in a horrific … Continue reading (Not So) Great Covers: THOR #153
As we've talked about before, MARVEL TWO-IN-ONE was a series adrift. Following the departure of writer/editor Marv Wolfman, the title limped along for close to a year, running assorted one-off and two-part stories that all had the feeling of being a fill-in about them. There wasn't any permanent creative team, and you never quite knew … Continue reading BHOC: MARVEL TWO-IN-ONE #45
The few other comic book collectors and readers in my area tended to scoff at the Marvel reprint titles, because as they were not originals, they weren't going to accrue in value like the new books would. But as i had no real desire to ever sell my collection, that wasn't a big deal to … Continue reading BHOC: MARVEL SUPER-HEROES #76
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