Marvel's first title, MARVEL MYSTERY COMICS (called simply MARVEL COMICS in its first issue--nobody quite knows how or why MYSTERY was added to the title, or for what reason) was something of a surprise success for publisher Martin Goodman. He'd initially printed up only 80,000 copies and the print job was so bad that he … Continue reading The Second Human Torch Story
So at around this point, I finally got my hands on a copy of the first volume of the MARVEL POCKET BOOKS paperback collections of early AMAZING SPIDER-MAN stories. Some months earlier, I had bought a copy of Volume 2 and loved it, but the first volume was by that point simply no place to … Continue reading BHOC: AMAZING SPIDER-MAN POCKET BOOKS Volume 1
Super heroes as a genre were on their way out as the 1960s turned into the 1970s and the super hero fad that had driven success throughout the silver age fell away. But this meant that publishers were more encouraged to experiment than they had been previously in an attempt to stave off cancellation--and every … Continue reading 5BC: The Five Best Comic Books of 1970
By 1971, Stan Lee's career scripting comic books was winding down. While he'd remain in place as Marvel's Publisher for the remainder of the decade, he ceased scripting pretty much everything he had been working on, except for an occasional and far-between assignment. AMAZING SPIDER-MAN #96 is the first part of the last truly great … Continue reading 5BC: The Five Best Comic Books of 1971
YELLOW CLAW was one of the strangest series published by Marvel, then Atlas, in the 1950s. it feels like a throwback to an earlier time, an era when "yellow peril" adventure stories about Dr. Fu Manchu and his many knock-offs were big business in the pulp magazines of the day. Having done a little bit … Continue reading The First Marvel Mutants
In 1972, Marvel Comics entered its second phase. Editor Stan Lee had been promoted to Publisher and, momentarily, President, and Roy Thomas had been made his successor. What's more, former owner Martin Goodman was gone, as was the limitation on how many releases the company could put out which had been imposed upon them by … Continue reading THE CLAWS OF THE CAT #5: The Lost Issue
Every year, the Smith Haven Mall near to where I lived held a week-long crafts fair. For seven days, assorted artists and craftspeople would set up little booths throughout the Mall and hock their wares. And every year, there wound up being two or three guys selling back issue comic books out of cardboard boxes. … Continue reading BHOC: MARVEL COLLECTORS’ ITEM CLASSICS #1
Here is another example of the phenomenon that we looked at last time: a perfectly fine cover image by Jack Kirby that has been deliberately colored in such a way as to render it unattractive and unappealing. As I said last time, going to this sort of monochromatic color scheme was a last ditch move … Continue reading (Not So) Great Covers: FANTASTIC FOUR #81 (and MARVEL’S GREATEST COMICS #63)
You'd see this happen from time to time in the mid- to late-1960s on the Marvel books. There's be a cover like this one that somebody--either editor Stan Lee or publisher Martin Goodman--didn't like, feeling that it was too cluttered and difficult to read from a distance, and it would get colored in a horrific … Continue reading (Not So) Great Covers: THOR #153
In 1953, after an absence on the newsstands of four years, Martin Goodman resurrected his company's three big successful super hero characters from the 1940s; Captain America, the Human Torch and the Sub-Mariner. By all accounts, this decision to bring back these heroes appears to be in response to the strong reaction the new ADVENTURES … Continue reading The Last Sub-Mariner Story (of the 1950s)
The Tom Brevoort Experience 