Thanks to an observation by reader Ben Herman we can take a bit of a closer look at the question of the lead story in STRANGE TALES #119, which appeared to have been retooled from being a Hate-Monger adventure into one pitting the Human Torch against the new-but-similar villainy of the Rabble Rouser. After yesterday's … Continue reading Lee & Kirby & Ayers: More on the Strange Case of STRANGE TALES #119
This is a sort of an odd situation, as I haven't even completely worked out an operating theory on just what was behind the decisions I'm about to lay out for you all. So this is still a bit of a puzzler. But it concerns a significant change that was made to the lead story … Continue reading Lee & Kirby & Ayers: The Strange Case of STRANGE TALES #119
A lot of time has been spent on analyzing the Marvel output of the early 1960s, trying to determine who did what and who really deserved the credit for the success of the line and the many characters and ideas presented therein. To reiterate my essential position on this, I feel as though at this … Continue reading The Greatest DAREDEVIL Story Ever Told
A bit of evidence has surfaced which casts some doubt on the story I related previously concerning how the difficulties in getting DAREDEVIL #1 to print on time led to the emergency creation of AVENGERS #1. I'm not ready to throw in the towel on this belief completely just yet, but I do feel the … Continue reading Lee & Kirby & Ditko & Everett: More on the linked stories of X-MEN #1, AVENGERS #1 and DAREDEVIL #1
I've seen different bits and pieces of this story told in assorted places, but I cannot recall anyplace where the entire sequence of events was laid out in a single recounting, so I thought that was worth doing. In the spring of 1963, with the super hero titles that his firm had been producing doing … Continue reading Lee & Kirby & Ditko & Everett: The linked stories of X-MEN #1, AVENGERS #1 and DAREDEVIL #1
In an article printed in THE JACK KIRBY COLLECTOR #61, a writer by the name of Michael Breen makes the assertion that FANTASTIC FOUR #6 had not only been penciled and largely plotted by Jack Kirby, but the final lettered script was written by Jack as well. This was at a point before the Marvel … Continue reading Lee & Kirby: The Mystery of FANTASTIC FOUR #6
I saw this posted by its current owner and I thought it was worth both sharing with a wider audience and explaining in a bit greater detail. What you see below is the 3M proof for the cover to FANTASTIC FOUR ANNUAL #5. Also sometimes called a progressive proof, this would have been sent to … Continue reading 3M Cover Proof – FANTASTIC FOUR ANNUAL #5
Whenever the conversation turns to the question of Stan Lee and Jack Kirby and their collaborations during the 1960s and who was responsible for doing what--a question that I don't think can ever be definitively or conclusively answered--one of the misconceptions that I see come up time and time again is the notion that Lee … Continue reading Lee & Kirby: The Four Work Stages of Lee & Kirby
It's been a few weeks since I started analyzing the narrative techniques that Jack Kirby used in a particular story--this meeting between the Human Torch and Captain America (or, more properly, shared the analysis that I developed to show to younger Marvel editors.) And, honestly, part of the reason for that was some of the … Continue reading Lee & Kirby: The Narrative Techniques of Jack Kirby 2
Back in the days when he was the Editor in Chief of Marvel Comics, Jim Shooter had a particular story that he liked to use as an example when explaining to people what he thought needed to be on the page in a well-crafted Marvel story. It was this one, the Human Torch story from … Continue reading Lee & Kirby: The Narrative Techniques of Jack Kirby
The Tom Brevoort Experience 