BHOC: GREEN LANTERN #113

Back in the days when comic books were a mainstream impulse purchase rather than a medium largely focused on the tastes and desires of a dedicated hardcore fanbase, it was pretty well guaranteed that every winter season would bring at least one or two holiday-themed stories. These tales tended to stress sentiment over story logic, and were intended as a joyful holiday confection, while still bringing in the requisite 40 cents worth of revenue. Over the course of his long career, writer Denny O’Neil penned a number of such tales, most memorably for Batman. This issue of GREEN LANTERN (co-starring GREEN ARROW) was another such release.

And it wasn’t as though anybody was trying to hide this. Quite the contrary, from the first page, the fact that this will be a seasonal adventure is clear. The cover is more ambiguous, though, perhaps a sop to the notion that there will be a certain percentage of the potential buying audience who either doesn’t celebrate, and so has no interest in a Christmas tale, or who find such stories cloying and childish. This became a growing situation as the Direct Market became a greater and greater percentage of the overall sales picture. Comic book fans had (and have) very strong opinions, and they aren’t shy about sharing them. And one thing you can be sure to get blowback on is anything deemed silly or juvenile. In effect, anything that makes that audience reflect on the fact that the thing they love so much is really intended to entertain children, no matter how much it’s grown and evolved over the decades. Comic book fans like to be taken seriously, as connoisseurs of sophisticated graphic fiction–and if Superman’s trunks need to be a casualty of moving in that direction because they “look too gay”, well, that’s the price that will have to be paid.

So the story starts off immediately laying out its obvious premise: while driving his rig on a wintery evening (Hal Jordan was plying a trade as a trucker at this point, a quasi-popular pop culture occupation in the days of Smokey and the Bandit and the CB Radio fad) Green Lantern experiences an earthquake, and sees a passenger car go careening off the road and crashing. He steps in to give assistance, discovering that the people in the car are the punk rock band Slog, whom Green Arrow had encountered a few issues earlier. Their car is totaled, though, and the wife of one of the musicians, Marcy, is pregnant, so the Lantern gives them a ride to a ski lodge where he’s intending to spend Christmas with Oliver Queen and Dinah Lance, who are already there.

But the group is seen departing by Granny Bleach and her redneck boys, Zeb and Lem. They want to take possession of the pregnant Marcy for unclear reasons having something to do with the earthquake and a prophesy that an unborn child will perform miracles. Accordingly, they follow Hal and his crew to the ski lodge, where Green Arrow is celebrating in full super hero costume for no discernable reason other than that it makes the story easier. The frozen travelers head into the lodge while Hal intends to scout around and see if he can figure out what caused the quake. But before he does, he’s clubbed down from behind by Zeb–who notices Hal’s sparkly power ring and swipes it off him before locking him in the shed. The trio then bursts into the lodge demanding that Marcy be handed over to them. You’d think that Green Arrow and Black Canary could take two big guys and an old woman in their sleep, but that’s not the way the confrontation goes down here.

O’Neil then ties this story into a recent Batman adventure in which the Caped Crusader resolved the curse of the White Bat. But Granny tells us that there’s another curse on their mountain, known as the Hundred Years Curse. It indicates that 100 years after the mountain is settled, it will split open and rain down fire upon the land. And only an unborn child can save everyone. Accordingly, Granny and her guys are taking off with Marcy, convinced that she is somehow the key to preventing their annihilation. After they go, Green Arrow and Black Canary spend little time freeing themselves, and Hal joins them. But without his Power Ring, they’re going to need to give chase the old fashioned way, through the frozen woods. Marcy’s husband insists upon coming with them, despite Green Arrow’s protestations,

As the heroes and husband make their way up the mountain, the landscape is once again rocked by an earthquake, and Hal thinks he’s figured out what’s going on. This is no mountain, it’s a dormant volcano (!!!) that’s building up to an imminent eruption. The good guys find Granny and her kin holed up in a Ranger Station, but the group is set upon by wolves. Green Arrow is able to keep them at bay, but he doesn’t have an unlimited supply of arrows. Hal begs for the return of his ring, saying that he can prevent the impending eruption if it’s returned to him. Zeb hands the bling over to him, and he’s off as Green Lantern, despite probably being concussed from Zeb’s cheap shot earlier. He is able to corral the wolves before he jets off, though, so that’s something.

Despite his distress, Green Lantern is able to drill massive holes into the mountainside to relieve the pressure that’s going to cause the volcano to erupt. And that’s it, danger solved. And of course, Granny tells the returning Lantern that the prophesy was entirely correct, that it was the danger to the child that brought him there to save them. In the meantime, Marcy has given birth in the Ranger Station, and so the story closes out with a nativity scene. It’s a perfectly fine low-key issue that’s not really all that memorable. But for a few minutes of holiday entertainment, it did its job.

18 thoughts on “BHOC: GREEN LANTERN #113

  1. I really liked Saviuk’s artwork. It was fun and kinetic and I’ve always wished he’d stayed in the business longer. 

    I also wished Green Arrow would get the hell out of the book sooner so I was two for two on not getting what I wanted.

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    1. Alex was drawing Phantom stories as recently as 2018, which adds up to a 40+ year career. And he’s still drawing retailer exclusive covers as recently as two months ago.

      I figure if he wants to retire in his 70s, he had a good long run…!

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  2. I love that cover. That cover alone makes me want to write a GL/GA/BC mini.

    On the other hand, I hated Denny’s penchant for Appalachian hillbilly morons as villains. He went to that well way too often.

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  3. Coincidentally, I just handed in a Christmas story which I believe might be the very first holiday based script I’ve ever done. If anyone knows of another that I’ve forgotten please let me know.

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  4. Huh, I had no idea that O’Neil had written a sequel to “Tomb of the White Bat”. Unfortunately, it looks like this is a pretty far cry from the moody and suspenseful original tale.

    Maybe it’s just because I’m older and more cynical, but you can really see the hoops O’Neil has to jump through in order to give each of these very disparate heroes something to do. Hal’s ring gets taken off the board so Ollie has a chance to take the spotlight, and then later there’s a volcano erupting so Hal can do something “epic”. I don’t think this pairing did either hero any favors, and I don’t think it’s a coincidence that GA and GL both found much greater success after they finally split up.

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    1. At this point, I don’t think Denny was very interested in writing, and was doing it pretty mechanically. He’s said that when he signed on as editor at Marvel in 1980, he was looking forward to not writing for a while.

      But the same is probably true of “Tomb of the White Bat,” which is similarly mechanical in structure, but has the advantage of terrific artwork that elevates it. Still, he had a much better feel for characters like Batman than SF heroes like GL.

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    2. Both stories bring a lot of resemblance to “Ghost Mountain Midnight” from Detective Comics #440, written by Archie Goodwin and beautifully pencilled by Sal Amendola, during the short-lived Goodwin’s lead on ‘Tec. There’s, snow, a granny band and a young kidnapped lady as well.

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    1. I think Saviuk got better with experience (and with working plot-style at Marvel), but I wasn’t fond of either the writing or art in this stretch of GL/GA. Kept buying it because I’d started buying it and kept running on inertia. 40¢ a month did not strain my budget.

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  5. I thought this run of Green Lantern/Green Arrow was fun since it reminded me of the Giordano “Action Hero” books at Charlton about 12 or 13 years before.

    Both Saviuk and Staton had a bit of Kane influence that made them appropriate on the book. There were several good covers, including this one. 

    It was not the early 1970s Green Lantern/ Green Arrow but it was servicable semi-“Street Level” superhero fare.

    Denny O’Niel had written Green Lantern for almost 10 straight years by this time and clearly dod not like the character. it was a shame that Julie Schwartz did not put Elliot S. Maggin (based on his handling of GL’s appearnace in Wonder Woman #214) or Marty Pasko on the Green Lantern back-ups in the Flash.

    Marv Wolfman took from O’Niel in the Summer of 1980 and showed much more interest.

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  6. That has to be the most un-punk rock looking band ever depicted in comics. Surely the intention was for it to be a prog rock band, they look like Emerson, Lake and Palmer. Or perhaps Alex Saviuk had no idea (or didn’t care) what a ’79 punk rock band would look like?

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    1. The Slog were actually designed by Mike Grell, when they first appeared in issue 108. It looks there like he’s riffing on A CLOCKWORK ORANGE, so his idea of 1979 punk is off, too, and Alex compounds it by being unable to draw a bowler hat. Then again, Denny has one of them call something “groovy,” so maybe they’re still figuring out what this whole punk thing is.

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