A post about the time Stan Lee included me in a short Fantastic Four story. I eventually purchased the original art for this page as a wedding gift for Associate Editor Molly Lazer when she got married.

April 28, 2007 | 1:00 AM | By Tom_Brevoort | In General
“Joe! We have a CRISIS!
The MOLE MAN’s taking over New York!”
Those are the fateful words I uttered on that harrowing day, the 45th
anniversary of the Fantastic Four’s journey into space. Except I didn’t come up
with them–Stan Lee did, for a story he wrote for FANTASTIC FOUR #543.
I’ve appeared in Marvel comics before, often in the background (I was a
newsreader in CIVIL WAR #1), sometimes as a participating player (as in a whimsical
story in FANTASTIC FOUR #50). I even had the rare privilege of appearing on the
cover of a Marvel mag, the somewhat-strained SPIDER-MAN: 101 WAYS TO END THE
CLONE SAGA, along with Ralph Macchio and Bob Harras. But this is a little
different.
To be honest, I’ve always kind of felt that most of these sorts of appearances
were self-indulgent, self-congradulatory twaddle. Yes, there’s a long history
of creators being drawn into the books, stemming back to FANTASTIC FOUR #10
wherein Stan Lee and Jack Kirby were enlisted by Doctor Doom in a bid to
destroy the Fantastic Four. In fact, one of the earliest Marvel comics I read
was FANTASTIC FOUR #176, which involved the Impossible Man invading and
attacking the Marvel Bullpen, because he wanted to star in a magazine of his
own. Heck, John Byrne drew himself into his stories so often that Marvel should
own the rights to his likeness.
But these were all, you’ll forgive me, real guys. People who mattered. Genuine
contributors to the Marvel mythos. Not just a bunch of shlubs like the crew
we’ve got working here now. And really, does any reader really care? I can see
being interested if it’s Brian Bendis or Jeph Loeb or Bryan Hitch or somebody
on the page–they’re the guys writing the stories or doing the artwork, so
there’s naturally an interest in them. But nobody really cares about the
editor–nor should they. So I’ve always found these self-aggrandizing
appearances off-putting, and vaguely in bad taste–a seeming attempt to pull
the spotlight away from the characters and stories and people who really matter
to the audience. Kind of sad, really.
Except this is Stan Lee. I don’t know if anybody who began reading comics in
the 1980s or later, after Stan was pretty much gone from the monthly pages
including the Bullpen pages for the most part, can truly appreciate who he is
and what he did, and how vital his work was when it first came out, as it now
seems somewhat dated with the passing of time and the evolution of the medium.
But really, Stan more than any other individual is why there’s a Marvel Comics
in the first place, and very much the reason why there’s still a comics
industry. So if he wants to put me in a story, then that’s the way it’s going
to be.
And there’s something strangely appealing about the guy who first put words
into the mouths of Reed Richards, Ben Grimm and Sue Storm 45 years ago putting
words into mine.
More later.
Tom B
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So who is everyone in panel 2?
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That’s Molly Lazer, Aubrey Sitterson, me and Andy Schmidt, with Joe Quesada in the foreground. The person way in back in the doorway isn’t anybody in particular.
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