BHOC: INVADERS #23

Summer was winding down when I bought this issue of INVADERS at my regular 7-11 haunt. It’s one of those days that I can recall vividly for no particular reason, biking back up Granny Road with my new purchase. I still hadn’t branched out into Marvel any further than the Human Torch, but it was still exciting to get a new issue. There was something of an air of discovery about beginning to excavate the world of the Marvel Universe.

For whatever reason, INVADERS was a series that seemed plagued by fill-ins and reprints. But this issue seemed to be getting things back on track as the regular art team of Frank Robbins and Frank Springer were united once more with writer Roy Thomas. Springer’s finish always made Robbins’ style somehow more palatable to me–it was a combination that I liked for whatever reason. Robbins always drew his male characters, notably The Torch and Bucky, with big 1970s hair, despite the fact that the series was meant to be set in 1942. It was a weird affectation, but one that worked for me in some manner.

We open with Toro finally in surgery for the bullet wound he suffered three issues earlier (told you the book was plagued by delays!) The attending doctor tells the Invaders that the surgery is too delicate for him to complete successfully. Only a Dr. Sam Sabuki in California can do it. Just then, Spitfire races in reporting that the Allies have a new mission for the Invaders, a mission of vital importance. Bucky volunteers to fly Toro in Namor’s flagship to California to get him the help he needs while the others take on the mission. The Torch reluctantly agrees to this.

The Invaders return to their Big Ben headquarters where they link up with Union Jack and learn the details of their mission. In Egypt, a group calling themselves the Sons of the Scarab have been making terrorist strikes and stirring up the populace in favor of the Nazis just as General Rommel is about to make a push into Egypt. Allied Command wants the Invaders to rout these Sons. So the team takes a conventional transport to Egypt–but they’re almost totaled when a shell destroys the runway they’re landing on. Fortunately, Namor and the torch are able to save the plane.

The Invaders are attacked by the Sons of the Scarab, but quickly send them to rout, even as they shoot a captured confederate in the back to stop him from talking. The team is picked up by their liaison Major Harrison who is accompanied by Dr. Faoul, a respected local archaeologist. The Sons have a base hidden somewhere within the pyramids and need to be found and extracted, but Dr. Faoul is concerned about preserving the historical Pyramids themselves. They plan to have the Torch burn a path into the Pyramids, one that Namor can thereafter seal up. Before that can happen, Union Jack, Spitfire and Captain America are asked to put in a morale-boosting appearance at the front, so they separate from Namor and the Torch.

Breaking into the Pyramid, Namor and the Torch find a mystic red scarab of possibly-alien origin–and Dr Faoul takes the opportunity to seize it, transforming himself into the Scarlet Scarab. He’s actually the leader of the Sons of the Scarab, of course, and he wants the Allies out of Egypt. At the time, I had no idea that this was all a bit of a play on writer Roy Thomas’ first professional assignment, a story of the Blue Beetle, who himself gained superhuman powers from a mystic scarab. But that was Roy all over.

The Scarlet Scarab knocks the crap out of the Torch and Namor, then takes off, with the two Invaders in hot pursuit. But out at the front, things aren’t going so well, as Nazi tanks are beginning to overrun the Allied position. Cap, Union Jack and Spitfire aren’t powerful enough to halt the advance on their own, but they might be able to do something about it if they had air support from Namor and the Torch–but they’re now unable to contact their fellow Invaders! And that’s where things go all To Be Continued!

To add insult to injury, buried in the letters page for the issue is the announcement that the following issue of the book was ALSO going to be a reprint, this time of the first team-up between the golden age Human Torch and Sub-Mariner. I didn’t mind that at the time in that I was interested in the characters and their genuine 1940 exploits, but all of these hiccups had to be playing havoc with the sales of the series, I would imagine.

5 thoughts on “BHOC: INVADERS #23

  1. I was sixteen when this came out and I don’t remember minding reprint or fill in issues. The reprints filled in holes in what I knew about the characters (and I devoured Marvel’s Greatest Comics, Tales, and Triple Action anyways) and the fill ins were usually fun.

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  2. Timely Comics has a Ruby Scarab in Marvel Mystery Comics#78 ( November 1946 ) Human Torch story -“3000 Years Dead!” — a mummy brought back to life by nearness to the scarab ( King Abdullah Razmuz – fake ancient Egyptian name or time traveler ); Morse Kenyon ( Director of Archeological Department ) in this story. Tomb of Prince Aba Fey ]. Charlton’s Blue Beetle ( Dan Garret ) [ Blue Beetle Vol.2#1 ( June 1964 ) ] got his powers from a jeweled blue scarab, but the original Blue Beetle ( Dan Garret ) [ Mystery Men Comics#1 ( august 1939 ) Fox Feature Syndicate ] got his from Vitamin 2-X which he has to take periodically to gain Super-Strength. The Scarab ( Peter Ward – reincarnation of Egyptian writer Kor the High Priest of the Cat-God ( Bast ) ) [ Startling Comics#34 ( July 1945 ) — a black cat the reincarnation of Egyptian Priest Ahk-Tu-Men ] gained super strength, flight & invulnerability from his scarab ring.

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    1. Roy Thomas created Amazing Man ( Will Everett ) for DC when unless Bill Everett worked for DC Comics he should have created him for Marvel, and created the Scarlet Scarab for Marvel when he should have created him for DC Comics — [ Flash Comics#3 ( March 1941 ) The Scarlet Scarab – “Flash” Picture Novelette by Ed Wheelan ( see comics.org ) — scarlet scarab in the story was suppose to have powers but doesn’t ].

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  3. Scarlet Scarab was on-the-nose obvious. Had the name been used before? I’d be surprised if it hadn’t. Comics were simpler 45+ years ago. Even moreso the comics from 80 years ago during WW2. Though the war made the world less simple.Killing & displacing millions. A scale unknown before.

    I get why Roy loved writing these stories & characters. Having an artist from the same period when the stories were set was a real plus. I still love Robbins’ dynamic figures & figures. Bodies twisted in action pos s. Faces screwed up with emotions. And his use of heavy shadows.

    Robbins made it look nothing else out there at that time. Strange & special. The Torch’s Robert Redford hair. Namor’s unusual, increased thickness. The extra wide eye holes in Cap’s cowl. Still quirky &: fascinating.

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  4. SCARLET SCARAB II ( Mehemet Faoul – Thor#326 ( December 1982 ) ): In Uncanny Tales#41 ( March 1956 ) 1st story “The Pyramid’s Secret!” ( Dick Ayers artist/inks ) — there is an ancient Egyptian dressed ( same colour outfit too ) like him on the last page.

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