BHOC: GREEN LANTERN #115

I was still regularly following GREEN LANTERN (co-starring GREEN ARROW) but to be honest I was enjoying it less and less. I’d first encountered the character as a back-up strip in THE FLASH where his adventures were galactic in nature. But in this book, it was clear that the writers and editors weren’t entirely comfortable with that arena, so there was a tendency to emphasize Green Arrow’s world and grounded menaces–many of which felt to me like situations that Green Lantern should have been able to deal with easily on his own. In essence, I wanted more space-fantasy in the book, but the focus was on trying to be quasi-relevant and earthbound.

And this approach makes a certain amount of sense. The book had been brought back on the strength of the sales of a pair of Green Lantern reprint specials, but the shadow of the relevancy issues produced at the end of the run by Denny O’Neil and Neal Adams still loomed large only a couple of years later. Given that Denny was still the writer of record, it makes sense that his approach would be similar (though not as directly issues-specific as it had been during that time.) But I really did long for more. I still liked the character, and found that I enjoyed him more in JUSTICE LEAGUE OF AMERICA, where he was more often in his natural element. But still, I dutifully kept buying issues of the series as they came out. Ironically, it wasn’t until shortly after Green Arrow was ditched from the cover logo that I’d lapse as a reader.

This issue picks up from where the previous one left off. Last time, our trio of heroes, including Black Canary along for the ride as usual, had encountered a costumed villain with the ability to disintegrate matter, the Crumbler. During that story, Hal Jordan suffered a concussion, so as this issue opens, Ollie and Dinah tell him to stay behind and rest up while they go out in pursuit of the fleeing villain. They catch up to the Crumbler within a few pages, but he destroys the elevated roadway out from under the heroes’ van, sending them careening into the icy waters below.

Black Canary is able to rescue herself and the unconscious Green Arrow from beneath the ice, but now the two of them are just as laid up and injured as Green Lantern himself. While Hal resolves to press on and continue to pursue the Crumbler despite his doctor’s orders, we cut away to the Crumbler going for a session with his psychiatrist. Here, we get the download on him: he was a child prodigy born into a blue collar household that didn’t appreciate his gifts, so when he invented a way to cancel out the bonds holding matter together, he turned it against his own father’s construction company in order to conceal the fact that he’d stolen money from it to finance his invention. When the shrink abruptly ends the session, the Crumbler goes crazy and attacks the man. He clearly has lingering issues with his father, and with authority in general.

By the time that Green Lantern catches up to the Crumbler in Star City, it’s a full-on hostage situation. The Crumbler has disintegrated three of the six load-bearing pillars that keep the building he’s in standing. Should he destroy one more, the entire tottering structure will collapse in on itself, killing everybody inside. GL figures that he can zap the Crumbler from afar with his power ring and end the problem then and there–but his ring-beam fizzles out before reaching its target. Uncertain as to whether this is due to his concussion or if something else is wrong with his ring, the Lantern realizes that he needs to attack this problem in a different fashion. He creates a bullhorn and asks the Crumbler what he’s after.

The villain replies that what he really wants is an apology from his father, an acknowledgement that the Crumbler is worthy of his respect. So Hal goes in search of the man, finding him elsewhere in Star City. But no dice. The burly construction worker doesn’t figure that any of this is his problem, and he’s got nothing but disdain for his worthless son, despite whatever gadgets he may have invented. Green Lantern is pissed at this, but he can’t force the man to do what he needs, so he returns to the scene of the standoff empty-handed.

With no other option available to him, as the building is now swaying so much it’s dislodging people from inside it, Green Lantern ventures into the basement level and positions himself beneath where he believes the Crumbler to be standing. From there, he uses his ring in a frontal assault, grabbing the villain and thrusting him away from the support pillar. And in the end, uncertain of his ring’s functionality, Green Lantern winds up clobbering the Crumbler with his fists. As he reports all of this back to Green Arrow, though, Hal is still uncertain as to the cause of his earlier ring-failure. And the issue closes on an image of Green Lantern’s power battery pulsing with a strange yellow light–an event that indicates that the power ring’s problems weren’t down to Hal’s concussion. But that’s all a story for the following issue.

10 thoughts on “BHOC: GREEN LANTERN #115

  1. When Green Lantern’s power beam fizzled out my mind wondered what Deadpool would said. Plus I just realized that the Crumbler was a 20th century version of Mano [ Adventure Comics#352 ( January 1967 ) Fatal Five member & Legion of Super-Heroes foe ], granted using technology and not mutant power like Mano.

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  2. I’m not sure if a rich businessman who runs a construction company really counts as “blue collar”… though I suppose he’s certainly manual labor adjacent. Either way….a smart kid growing up unappreciated and loathed by his duller parents is a very Denny O’Neil story point.

    I feel like GL, GA, and BC would be embarrassed when the JLA gets together to recount their monthly adventures and admitting that it took all three of them to beat one guy with a glove.

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    1. You are right, cause all Green Lantern had to do to turn the Crumbler storyline into a 1 issue story is put a forcefield around his body to protect himself from the Crumbler’s glove and knock his ass out ( GL can fly so disintegrating the floor is a useless tactic and GL can phase through walls so cause the ceiling to fall on him doesn’t work either ). The Crumbler’s glove is useless against energy which it can’t destroy ( The law of conservation of energy says that energy is neither created nor destroyed. When people use energy, it doesn’t disappear. Energy changes from one form of energy into another form of energy ).

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  3. “Ironically, it wasn’t until shortly after Green Arrow was ditched from the cover logo that I’d lapse as a reader.”

    I never did stop buying it. I thought it got much better once GA and BC were written out — better art by Staton than what we’d been getting for Saviuk and then Heck, and better writing over time. I didn’t always like it, issue to issue, but they had to cancel it out from under me to get me to stop buying.

    And while I think Green Lantern makes a better solo book than when the stories have to accommodate two much more street-level heroes, I’d still like to write a GL/GA/BC project someday, because they’re a lively set of personalities, with good costumes.

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    1. I’d be a sucker for a GL/GA buddy movie, “48 hrs.” style.

      I could get along with Amell as GL and Reynolds as GA (no typo), but there would be a lot of interesting casting options.

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      1. If you hobble GL to make it work, you’d have to do the same to Ollie. Blinding or broken hands maybe? Honestly I think the original tension between Kyle and Wally would work better unless you played Olllie’s faux liberalism for laughs and made him wrong about everything.

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  4. Saviuk was a pleasant but unexciting artist. My issue was loathing Green Arrow’s characterization dating back to when he was revamped. I’d also realize some time later I did not like pretty much anything written by O’Neil but I was an obsessive completist still. I had started buying this book and even though I hated Hal was the third wheel usually, I was stuck. Of course, once Kyle took over years later I realized I don’t like Hal either. Present day me would never have touched this book.

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  5. Like Steve, I dislike most of O’Neil’s writing.

    I also disliked Alex Sauviuk’s art here and in Flash later.

    However I knew creative teams changed so I stuck with it — wouldn’t want a blank space when I went back and reread the series, would I?

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