
The DC war titles often used monochromatic covers for effect in the late 1950s and early 1960s and this Jerry Grandinetti image for G.I. COMBAT is a good example of why. Not only does it convey the mood of the moment in a gripping and visceral way, but the whites of the gunner’s eyes stand out like bullseyes amidst the rest of the pale blue colors, drawing the reader’s gaze like a magnet. I will say that I feel as though the logo yellow seems a bit too loud, but you can’t argue with the fact that it’s doing its job. That logo could not be any more readable, even from across the room. This was one of the covers on which DC colorist and production man Jack Adler incorporated gray washtones to create a more realistic image. This was an effect that was experimented with over a couple of years, but it took longer to produce and didn’t seem to impact on sales all that much, so eventually it was abandoned. But this particular issue must have sold pretty well, because DC duplicated this cover almost verbatim just a couple months later on the cover of G.I.COMBAT #83 (also by Grandinetti & Adler)


https://en.wikipedia.org/wiki/M50_ReisingāThe weapon on the cover appears to be an M-50 Reising Submachine Gun, a weapon used by the Marines in the Guadalcanal Campaign..āJerry Grandinetti was not as known for his reaslistic depiction of equipment as Heath or Severin or Wood.āIt adds something to an alraedy sriking image.
I don’t know if the M50 carried a bayonet, but the late WWII/Korean War M2 carbine (a Selective Fire vesrsion of the WWII M1 carbine) did and the M50 was largely intended to be in lieu of (“ILO”) the M1 Carbine, not yet issued to the USMC.ā
The M50 was depicted in the 1943 dramatic film, Guadalcanal Giary, where Grandinetti may have found the referemce.āhttps://www.imdb.com/title/tt0035957/ā
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