It was the horror comics that made EC's reputation, both for good and for ill, and they remained the firm's best-sellers all the way up until the nascent Comics Code put them out of business. Readers were attracted to EC's style in general, but it was in the horror comics, where the bounds of good … Continue reading BHOC: EC CLASSIC REPRINTS #7
By far the best-selling titles in the well-regarded EC Comics line of the early 1950s were the company's horror books. Horror was a big genre during this time, and nobody in the field did it better than EC. As with their other offerings, their horror comics were story-driven and literate, with high-quality artwork throughout. These … Continue reading BHOC: EC CLASSIC REPRINTS #4
We're almost done with our review of MOVIEMAKING ILLUSTRATED, THE COMICBOOK FILMBOOK, which uses examples culled from the pages of Marvel comics to illustrate different points of film theory. This was a ubiquitous tome among comic book artists in the mid-1970s. A trio of IRON MAN panels from Johnny Craig lead off this final section. … Continue reading MOVIEMAKING ILLUSTRATED: THE COMICBOOK FILMBOOK, Part Six
Continuing our look through MOVIEMAKING ILLUSTRATED: THE COMICBOOK FILMBOOK, a 1973 release that explained assorted filmmaking techniques and terminology by using visual examples culled from then-recent Marvel comics. A Johnny Craig sequence from IRON MAN opens this chapter. Panels by John Buscema and Jack Kirby Some more John Buscema here. A Barry Smith CONAN sequence … Continue reading MOVIEMAKING ILLUSTRATED: THE COMICBOOK FILMBOOK, Part Four
Man, is this creepy. Good use of spotted blacks.
This is probably the most infamous EC cover ever produced, and it led indirectly to the end of the line. This Johnny Craig CRIME SUSPENSTORIES cover was brought out as evidence during publisher Bill Gaines’ testimony before the Senate Committee investigating the link between comic books and juvenile delinquency in the 1950s. When asked if … Continue reading Great Covers – CRIME SUSPENSTORIES #22
Boom. This Johnny Craig CRIME SUSPENSTORIES cover is like a bomb going off. It’s not overtly gory, but it’s way more disturbing than covers that showed a lot more blood and guts.Great use of color as well.
The Tom Brevoort Experience 