
Another day, another subscription comic book in my mailbox, folded neatly down the middle and wrapped in coarse brown mailing paper. That’s how this issue of JUSTICE LEAGUE OF AMERICA came across the transom, finishing up writer Gerry Conway’s first two-part story on the title he would wind up writing for so many years. The cover is one of the better efforts from artist Ernie Chan/Chua, but his inkwork still looks heavy and inelegant to my eye, and Superman in particular is ridiculously muscle-bound.

The story opens with Two-Face narrating to an unseen audience his experiences with the JLA. Having seemingly eliminated the threat last issue, the heroes decide to deliver Two-Face back to Arkham Asylum, despite the assistance he gave them. Green Lantern is on his way to do just this when he’s attacked from behind by a lightning bolt-throwing gladiator from Qward! Two-Face has a moment where he could warn GL about the impending attack, but the coin come up scarred, so the Gladiator’s bolt knocks the Emerald Warrior right out of the sky.

Two-Face is delivered to the Chief Weaponer of Qward, who tells him that they have taken on the contract from the Dronndarians to destroy the Earth–and they want to recruit Two-Face as an ally. A flip of the coin, and Two-Face is on board. Thereafter, Superman and Aquaman appear in response to an attack on Niagara Falls and are surprised to find Two-Face in evidence. Dent urges them into action, but not before planting a small star-shaped device on each of them

The heroes are able to save the surrounding countryside, and as a bonus, Aquaman succeeds in taking down the Weaponer’s Destroyer agent. Superman questions him, and then they call in the rest of the JLA. During the briefing, Two-Face takes the opportuity to plant similar star-shaped devices on all of the Leagers (including the Atom–how he wouldn’t notice is beyond logic.)

The Weaponers are attacking three cities simultaneously, using these attacks to syphon the destructive energy from the Dronndarians’ universe into our own. The League typically splits forces, sending heroes to deal with each attack in turn. Hawkman and the Atom head to Toronto, Flash and Two-Face to Bonn, Germany, and Superman, Aquaman and the Atom to Sydney, Australia.

In each case, the League handles the invading Weaponers handily–almost too handily. When the Flash is struck down, Two-Face gives him a hand to get back up and punch back at the invaders–a punch that propels its target a city block. Clearly, something strange is going on here.

But the Atom’s got it all figured out. (TOLD you he couldn’t help but notice!) In fighting the Weaponers, it’s the JLA themselves who are drawing the Dronndarians’ deadly energy into our universe. So now Superman, Aquaman and the Atom need to lose, to reverse that process–by taking a beating and not dying in the process. Which, being heroes, they do, in a single-page montage of suffering.

Until at last, the star-shaped devices drop off, and the heroes can turn the tables on their attackers. And then, in perhaps the smoothest bit of hand-cleaning there could be, the JLAers tune in on the Dronndarian dimension, to see the built-up destructive energies evolve them into a higher form of life! Turns out they were never in any danger whatsoever, those silly Dronndarians! And the League didn’t just sentence an entire albeit-evil race to genocide! Finally, Two-Face’s audience is revealed as the Joker, who laughs in his fellow criminal’s face. And that’s a wrap!

Hi Tom, I just discovered your site and I’m enjoying reliving many of these classic JLA stories. I recently became the proud owner of the original artwork for the Detroit era JLA Mail Room banner. This was drawn by Chuck Patton and inked by Dick Giordano. I feel honored to own a piece of JLA history, and was talking to Chuck about it today, and we both were trying to figure out who drew the other Mail Room banners we saw being used throughout the 60 and 70s. Would you have much information on these? Thanks in advance. Tony Frye (design@tonyfrye.com)
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Most if these JLA stories were before I had access to the series. But each story you post about that was written by Conway confirms what I know from his stories I’ve read in the early-midv1980’s. I don’t like them. Especially the dialog
I’ve never been a fan of Duck Dillin’s or Frank McLaughlin’s art; either together or separately. There are some lively figures here. But the same fundamental drawing flaws (faces & figures) irk me.
Two-Dace shouldn’t have a green hand, it green anything else on that side of hhs body that’s lower than his head. A production error. But the hand isn’t even scarred. I was glad that in the 1990’s DC heeded the advice of artists like Matt Wagner that Harvey’s scarred skin should be red, not green.
Ernie’s “ridiculously muscle bound” Superman is actually somewhat close to the proportions of Jose Luis GG Garcia -Lopez’s version. Which is fine by me.
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